Terfry shows no sign of slowing down: a sequel to Talkin’ Honky Blues is due this year. His appeal isn’t just in the wedding of hip-hop to the American folk tradition; other artists from Beck to Timbaland have taken respectable shots into that acoustic barrel. Buck 65 is doing something more ambitious: reading a tradition of American storytelling through hip-hop. The expansive, inclusive, digressive American voice that runs through Guthrie and Dylan (and stretches back to Whitman) doesn’t sound out of place for a Canadian like Buck 65, any more than it did for Kerouac. Terfry has some of Mark Twain’s frontier nostalgia (his concert tall tales about Pythagoras’s fear of beanfields suggests a sure grasp of Twain’s sense of humor). Where he takes this ambition next will be fascinating to hear. This release is a pretty good summary of what he’s been up to so far.