Behan has supported Four Tet and Manitoba on tour, and shares much of the sonic vocabulary of “folktronica”. Days Are What We Live In has a crisp, clear upper mid-range; spare, sparse piano and keyboard figures dominate. There are the same splintered fractions of guitar licks and reversed fragments of sound that Four Tet has made its own. The album’s lower range is generally filled with warm, throbbing sounds; the effect should be hypnotic, cumulative. Drum sounds, when used, punctuate the shimmering structure.
There are moments of great prettiness here. They remain opaque, which is both frustrating and quite deliberate: this music is all surface. It is meticulous, measured, finely-crafted. If it fails to move or arouse, that is as much a feature of the genre as it is a failing of imagination.